Tsong kha pa: Difference between revisions

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{{Person
{{Person
|HasDrlPage=Yes
|HasLibPage=Yes
|HasRtzPage=No
|HasDnzPage=Yes
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|MainNamePhon=Tsongkhapa
|MainNamePhon=Tsongkhapa
|MainNameTib=ཙོང་ཁ་པ་
|MainNameTib=ཙོང་ཁ་པ་
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|PersonType=Classical Tibetan Authors
|PersonType=Classical Tibetan Authors
|images=File:Tsongkhapa (R. Beer).jpg{{!}}Line Drawing by Robert Beer Courtesy of [http://www.tibetanart.com/ The Robert Beer Online Galleries]
|images=File:Tsongkhapa (R. Beer).jpg{{!}}Line Drawing by Robert Beer Courtesy of [http://www.tibetanart.com/ The Robert Beer Online Galleries]
File:Tsongkhapa - HAR.jpg
File:Tsongkhapa HAR.jpg{{!}}Tsongkhapa [https://www.himalayanart.org/items/595 Himalayan Art Resources]
|YearBirth=1357
|YearDeath=1419
|BornIn=tsong kha (Amdo)
|BdrcLink=https://www.tbrc.org/#!rid=P64
|BdrcLink=https://www.tbrc.org/#!rid=P64
|TolLink=http://www.treasuryoflives.org/biographies/view/Tsongkhapa-Lobzang-Drakpa/8986
|TolLink=http://www.treasuryoflives.org/biographies/view/Tsongkhapa-Lobzang-Drakpa/8986
|tolExcerpt=Tsongkhapa Lobzang Drakpa was one of the most influential Tibetan Buddhist scholars of the last millennium. Born in Amdo, he travelled to U-Tsang in his youth, never to return to his homeland. In U-Tsang he studied with numerous teachers of all traditions and engaged in many retreats resulting in his development of a fresh interpretation of Nāgārjuna's Madhyamaka view and a reinvigoration of the monastic Vinaya. Widely regarded as an emanation of Mañjuśrī, Tsongkhapa composed eighteen volumes of works of which the majority dealt with tantric subjects. He was the founder of Ganden Monastery, which became the central monastery of the Geluk tradition that was founded on his teachings and writings.
|tolExcerpt=Tsongkhapa Lobzang Drakpa was one of the most influential Tibetan Buddhist scholars of the last millennium. Born in Amdo, he travelled to U-Tsang in his youth, never to return to his homeland. In U-Tsang he studied with numerous teachers of all traditions and engaged in many retreats resulting in his development of a fresh interpretation of Nāgārjuna's Madhyamaka view and a reinvigoration of the monastic Vinaya. Widely regarded as an emanation of Mañjuśrī, Tsongkhapa composed eighteen volumes of works of which the majority dealt with tantric subjects. He was the founder of Ganden Monastery, which became the central monastery of the Geluk tradition that was founded on his teachings and writings.
|HarLink=https://www.himalayanart.org/search/set.cfm?setID=197
|HarLink=https://www.himalayanart.org/search/set.cfm?setID=197
|HasDrlPage=Yes
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|AltNamesWylie=tsong kha pa blo bzang grags pa; blo bzang grags pa'i dpal; blo bzang grags pa;
|AltNamesWylie=tsong kha pa blo bzang grags pa; blo bzang grags pa'i dpal; blo bzang grags pa;
|AltNamesTib=ཙོང་ཁ་པ་བློ་བཟང་གྲགས་པ་; བློ་བཟང་གྲགས་པའི་དཔལ་; བློ་བཟང་གྲགས་པ་
|AltNamesTib=ཙོང་ཁ་པ་བློ་བཟང་གྲགས་པ་; བློ་བཟང་གྲགས་པའི་དཔལ་; བློ་བཟང་གྲགས་པ་
|YearBirth=1357
|YearDeath=1419
|BornIn=tsong kha (Amdo)
|TibDateGender=Female
|TibDateGender=Female
|TibDateElement=Fire
|TibDateElement=Fire

Latest revision as of 16:24, 7 October 2023

Line Drawing by Robert Beer Courtesy of The Robert Beer Online Galleries Tsongkhapa Himalayan Art Resources
PersonType Category:Classical Tibetan Authors
MainNamePhon Tsongkhapa
MainNameTib ཙོང་ཁ་པ་
MainNameWylie tsong kha pa
AltNamesTib ཙོང་ཁ་པ་བློ་བཟང་གྲགས་པ་  ·  བློ་བཟང་གྲགས་པའི་དཔལ་  ·  བློ་བཟང་གྲགས་པ་
AltNamesWylie tsong kha pa blo bzang grags pa  ·  blo bzang grags pa'i dpal  ·  blo bzang grags pa
BiographicalInfo
  • Assumes office 1409 dga' ldan dgon (stag rtse rdzong)
  • Leaves office 1419 dga' ldan dgon (stag rtse rdzong)
  • Founds monastery 1409 dga' ldan dgon (stag rtse rdzong)
  • Final Ordination 1381 yar klung rnam rgyal dgon
YearBirth 1357
YearDeath 1419
BornIn tsong kha (Amdo)
TibDateGender Female
TibDateElement Fire
TibDateAnimal Bird
TibDateRabjung 6
TibDateDeathGender Female
TibDateDeathElement Earth
TibDateDeathAnimal Pig
TibDateDeathRabjung 7
ReligiousAffiliation Geluk
ClassicalProfAff Ganden Monastery
StudentOf bsod nams rgyal mtshan  ·  Rendawa Zhönu Lodrö  ·  Nyawon Kunga Pal  ·  Chokle Namgyal  ·  sgra tshad pa rin chen rnam rgyal  ·  Fourth Karmapa Rolpai Dorje
TeacherOf 'dul 'dzin grags pa rgyal mtshan  ·  Gö Lotsāwa Zhönu Pal  ·  Jamyang Chöje Tashi Palden  ·  mkhas grub rje  ·  Gyaltsap Je Dharma Rinchen  ·  spyan nga bsod nams bzang po
BDRC https://www.tbrc.org/#!rid=P64
Treasury of Lives http://www.treasuryoflives.org/biographies/view/Tsongkhapa-Lobzang-Drakpa/8986
Himalayan Art Resources https://www.himalayanart.org/search/set.cfm?setID=197
IsInGyatsa No
BnwShortPersonBio Tsongkhapa Lobzang Drakpa was one of the most influential Tibetan Buddhist scholars of the last millennium. Born in Amdo, he travelled to U-Tsang in his youth, never to return to his homeland. In U-Tsang he studied with numerous teachers of all traditions and engaged in many retreats resulting in his development of a fresh interpretation of Nāgārjuna's Madhyamaka view and a reinvigoration of the monastic Vinaya. Widely regarded as an emanation of Mañjuśrī, Tsongkhapa composed eighteen volumes of works of which the majority dealt with tantric subjects. He was the founder of Ganden Monastery, which became the central monastery of the Geluk tradition that was founded on his teachings and writings.
PosWheelTurn Second Turning
PosWheelTurnNotes Wangchuk quotes mkhas grub rje as stating, "In our system, Jé Rinpoché (rje rin po che, that is, Tsongkhapa) mentions that the Uttaratantra primarily comments on the meaning of those sutras that are in conformity with the middle-wheel teachings, such as the Tathāgatagarbhasūtra, Samādhirājasūtra, Jnānālokasūtra, Aṅgulimālāsūtra, Śrīmālādevīsūtra, and so forth." Wangchuk, Tsering, The Uttaratantra in the Land of Snows, p. 89.
PosYogaMadhya Madhyamaka
PosYogaMadhyaNotes Note that Wangchuk maintains that he developed this certainty later in his career.
PosZhenRang Rangtong
PosEmptyLumin Tathāgatagarbha as the Emptiness That is a Non-implicative Negation (without enlightened qualities)
PosSvataPrasa Prāsaṅgika (ཐལ་འགྱུར་)
PosSvataPrasaNotes Wangchuk cites Tsongkhapa's students and commentators on this issue:
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