'gos lo tsA ba gzhon nu dpal: Difference between revisions
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{{Person | {{Person | ||
|PersonType=Classical Tibetan Authors | |PersonType=Classical Tibetan Authors | ||
|images=File:Go Lotsawa Shonnu Pal.jpg{{!}}[https://www.himalayanart.org/items/81045 Himalayan Art Resources] | |||
|HasDrlPage=Yes | |HasDrlPage=Yes | ||
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Gö Lotsāwa is perhaps best known for this massive history of Buddhism in Tibet, The Blue Annals (deb ther sngon po) that he started in 1476 at the age of eighty-four, dictating to attendants, and completed in 1478. It includes vital information about early Tibetan history and religious lineages. Gö Lotsāwa drew from earlier works such as The Red Annals, written in 1346 by Tselpa Situ Kunga Dorje (tshal pa si tu kun dga' rdo rje, 1309-1364), and Butön Rinchen Drup's (bu ston rin chen grub, 1290-1364) History of Buddhism, and also many other earlier historical records. The work was originally preserved and woodblocks carved at Yangpachen (yangs pa chen) near Lhasa, which were later transferred to Kundeling (kun bde gling) in Lhasa. A set of woodblocks were also carved at Ganden Chokhorling in Amdo (a mdo dga' ldan chos ’khor gling). | Gö Lotsāwa is perhaps best known for this massive history of Buddhism in Tibet, The Blue Annals (deb ther sngon po) that he started in 1476 at the age of eighty-four, dictating to attendants, and completed in 1478. It includes vital information about early Tibetan history and religious lineages. Gö Lotsāwa drew from earlier works such as The Red Annals, written in 1346 by Tselpa Situ Kunga Dorje (tshal pa si tu kun dga' rdo rje, 1309-1364), and Butön Rinchen Drup's (bu ston rin chen grub, 1290-1364) History of Buddhism, and also many other earlier historical records. The work was originally preserved and woodblocks carved at Yangpachen (yangs pa chen) near Lhasa, which were later transferred to Kundeling (kun bde gling) in Lhasa. A set of woodblocks were also carved at Ganden Chokhorling in Amdo (a mdo dga' ldan chos ’khor gling). | ||
|HarLink=https://www.himalayanart.org/search/set.cfm?setID=976 | |HarLink=https://www.himalayanart.org/search/set.cfm?setID=976 | ||
|PosBuNayDefProv=Definitive | |PosBuNayDefProv=Definitive | ||
|PosBuNayDefProvNotes=* "Thus the last two dharmacakras are not different in terms of ontology. Still, the third dharmacakra differs in the fine distinctions it offers, and for this reason alone it has—contrary to the first two—definitive meaning (''nītārtha''), and so outshines the second dharmacakra by an uncountable factor." [[Mathes, K.]], ''[[A Direct Path to the Buddha Within]]'', p. 369. | |PosBuNayDefProvNotes=* "Thus the last two dharmacakras are not different in terms of ontology. Still, the third dharmacakra differs in the fine distinctions it offers, and for this reason alone it has—contrary to the first two—definitive meaning (''nītārtha''), and so outshines the second dharmacakra by an uncountable factor." [[Mathes, K.]], ''[[A Direct Path to the Buddha Within]]'', p. 369. | ||
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|PosAnalyticMeditNotes="That Zhönu Pal comments on the Ratnagotravibhāga from within the tradition of meditation is also clear from his colophon: | |PosAnalyticMeditNotes="That Zhönu Pal comments on the Ratnagotravibhāga from within the tradition of meditation is also clear from his colophon: | ||
The Dharma master Drigungpa [Jigten Sumgön] rejoiced in Jé Gampopas statement that the basic text of these mahāmudrā instructions of ours is the [Ratnagotravibhāga] Mahāyānottaratantraśāstra composed by the illustrious Maitreya; and since it is evident that the notes to [his] Uttaratantra explanations, the points he makes when presenting the three dharmacakras, and also the explanations deriving from Sajjana’s heart disciple Tsen Kawoché, are [all] in accordance with mahāmudrā proper, I have relied on them and have made [this] clear to others as best as I could. (DRSM, 574.9-12)" [[Mathes, K.]], ''[[A Direct Path to the Buddha Within]]'', p. 368. | The Dharma master Drigungpa [Jigten Sumgön] rejoiced in Jé Gampopas statement that the basic text of these mahāmudrā instructions of ours is the [Ratnagotravibhāga] Mahāyānottaratantraśāstra composed by the illustrious Maitreya; and since it is evident that the notes to [his] Uttaratantra explanations, the points he makes when presenting the three dharmacakras, and also the explanations deriving from Sajjana’s heart disciple Tsen Kawoché, are [all] in accordance with mahāmudrā proper, I have relied on them and have made [this] clear to others as best as I could. (DRSM, 574.9-12)" [[Mathes, K.]], ''[[A Direct Path to the Buddha Within]]'', p. 368. | ||
|PosEmptyLumin= | |PosEmptyLumin=Tathāgatagarbha as Mind's Luminous Nature | ||
|PosEmptyLuminNotes=* "The tathāgata heart’s own essence is not a nonimplicative negation but is the element of basic awareness." [[Brunnhölzl, K.]], ''[[When the Clouds Part]]'', p. 69. | |PosEmptyLuminNotes=* "The tathāgata heart’s own essence is not a nonimplicative negation but is the element of basic awareness." [[Brunnhölzl, K.]], ''[[When the Clouds Part]]'', p. 69. | ||
Revision as of 09:43, 26 November 2019
PersonType | Category:Classical Tibetan Authors |
---|---|
MainNamePhon | Gö Lotsāwa Zhönu Pal |
MainNameTib | འགོས་ལོ་ཙཱ་བ་གཞོན་ནུ་དཔལ་ |
MainNameWylie | 'gos lo tsA ba gzhon nu dpal |
AltNamesTib | ཡིད་བཟང་རྩེ་བ་ · མགོས་ལོ་ཙཱ་བ་གཞོན་ནུ་དཔལ་ |
AltNamesWylie | yid bzang rtse ba · mgos lo tsA ba gzhon nu dpal · 'gos lo tsā ba gzhon nu dpal |
YearBirth | 1392 |
YearDeath | 1481 |
BornIn | grong nag me dgu ('phyongs rgyas) |
TibDateGender | Male |
TibDateElement | Water |
TibDateAnimal | Monkey |
TibDateRabjung | 7 |
ReligiousAffiliation | Karma Kagyu |
StudentOf | Third Shamarpa Chopel Yeshe · Fifth Karmapa Deshin Shekpa · Tsongkhapa · Rongtön Sheja Kunrik |
TeacherOf | Fourth Shamarpa Chodrak Yeshe · Seventh Karmapa Chödrak Gyatso |
BDRC | https://www.tbrc.org/#!rid=P318 |
Treasury of Lives | https://treasuryoflives.org/biographies/view/Go-Lotsawa-Zhonnu-Pel/5500 |
Himalayan Art Resources | https://www.himalayanart.org/search/set.cfm?setID=976 |
IsInGyatsa | No |
PosBuNayDefProv | Definitive |
PosBuNayDefProvNotes |
|
PosWheelTurn | Third Turning |
PosYogaMadhya | Yogācāra |
PosYogaMadhyaNotes | Though his own view is based on Mahāmudrā, for which he asserts RGV is an important basis. |
PosAnalyticMedit | Meditative Tradition |
PosAnalyticMeditNotes | "That Zhönu Pal comments on the Ratnagotravibhāga from within the tradition of meditation is also clear from his colophon:
The Dharma master Drigungpa [Jigten Sumgön] rejoiced in Jé Gampopas statement that the basic text of these mahāmudrā instructions of ours is the [Ratnagotravibhāga] Mahāyānottaratantraśāstra composed by the illustrious Maitreya; and since it is evident that the notes to [his] Uttaratantra explanations, the points he makes when presenting the three dharmacakras, and also the explanations deriving from Sajjana’s heart disciple Tsen Kawoché, are [all] in accordance with mahāmudrā proper, I have relied on them and have made [this] clear to others as best as I could. (DRSM, 574.9-12)" Klaus-Dieter Mathes, A Direct Path to the Buddha Within, p. 368. |
PosEmptyLumin | Tathāgatagarbha as Mind's Luminous Nature |
PosEmptyLuminNotes |
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