'gos lo tsA ba gzhon nu dpal: Difference between revisions
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{{Person | {{Person | ||
|PersonType=Classical Tibetan Authors | |||
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|MainNameWylie='gos lo tsA ba gzhon nu dpal | |MainNameWylie='gos lo tsA ba gzhon nu dpal | ||
|MainNameTib=འགོས་ལོ་ཙཱ་བ་གཞོན་ནུ་དཔལ་ | |MainNameTib=འགོས་ལོ་ཙཱ་བ་གཞོན་ནུ་དཔལ་ | ||
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|BdrcLink=https://www.tbrc.org/#!rid=P318 | |BdrcLink=https://www.tbrc.org/#!rid=P318 | ||
|TolLink=https://treasuryoflives.org/biographies/view/Go-Lotsawa-Zhonnu-Pel/5500 | |TolLink=https://treasuryoflives.org/biographies/view/Go-Lotsawa-Zhonnu-Pel/5500 | ||
|tolExcerpt=Go Lotsāwa is perhaps best known for this massive history of Buddhism in Tibet, The Blue Annals (deb ther sngon po) that he started in 1476 at the age of eighty-four, dictating to attendants, and completed in 1478. It includes vital information about early Tibetan history and religious lineages. Go Lotsāwa drew from earlier works such as The Red Annals, written in 1346 by Tselpa Situ Kunga Dorje (tshal pa si tu kun dga' rdo rje, 1309-1364), and Buton Rinchen Drub's (bu ston rin chen grub, 1290-1364) History of Buddhism, and also many other earlier historical records. The work was originally preserved and woodblocks carved at Yangpachen (yangs pa chen) near Lhasa, which were later transferred to Kundeling (kun bde gling) in Lhasa. A set of woodblocks were also carved at Ganden Chokhorling in Amdo (a mdo dga' ldan chos ’khor gling). | |||
|HarLink=https://www.himalayanart.org/search/set.cfm?setID=976 | |HarLink=https://www.himalayanart.org/search/set.cfm?setID=976 | ||
|images=File:Go Lotsawa Shonnu Pal.jpg{{!}}[https://www.himalayanart.org/items/81045 Himalayan Art Resources] | |images=File:Go Lotsawa Shonnu Pal.jpg{{!}}[https://www.himalayanart.org/items/81045 Himalayan Art Resources] |
Revision as of 14:05, 4 June 2018
PersonType | Category:Classical Tibetan Authors |
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MainNameTib | འགོས་ལོ་ཙཱ་བ་གཞོན་ནུ་དཔལ་ |
MainNameWylie | 'gos lo tsA ba gzhon nu dpal |
AltNamesTib | ཡིད་བཟང་རྩེ་བ་ · མགོས་ལོ་ཙཱ་བ་གཞོན་ནུ་དཔལ་ |
AltNamesWylie | yid bzang rtse ba · mgos lo tsA ba gzhon nu dpal |
YearBirth | 1392 |
YearDeath | 1481 |
BornIn | grong nag me dgu ('phyongs rgyas) |
TibDateGender | Male |
TibDateElement | Water |
TibDateAnimal | Monkey |
TibDateRabjung | 7 |
ReligiousAffiliation | karma bka' brgyud |
StudentOf | Third Shamarpa Chopel Yeshe · Fifth Karmapa Deshin Shekpa · Tsongkhapa · Rongtön Sheja Kunrik |
TeacherOf | Fourth Shamarpa Chodrak Yeshe · Seventh Karmapa Chödrak Gyatso |
BDRC | https://www.tbrc.org/#!rid=P318 |
Treasury of Lives | https://treasuryoflives.org/biographies/view/Go-Lotsawa-Zhonnu-Pel/5500 |
Himalayan Art Resources | https://www.himalayanart.org/search/set.cfm?setID=976 |
IsInGyatsa | No |
PosBuNayDefProv | Definitive |
PosBuNayDefProvNotes |
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PosWheelTurn | Third Turning |
PosYogaMadhya | Yogācāra |
PosYogaMadhyaNotes | Though his own view is based on Mahamudra, for which he asserts RGV is an important basis. |
PosAnalyticMedit | Meditative Tradition |
PosAnalyticMeditNotes | "That Zhönu Pal comments on the Ratnagotravibhāga from within the tradition of meditation is also clear from his colophon:
The Dharma master Drigungpa [Jigten Sumgön] rejoiced in Jé Gampopas statement that the basic text of these mahāmudrā instructions of ours is the [Ratnagotravibhãga] Mahãyãnottaratantraśāstra composed by the illustrious Maitreya; and since it is evident that the notes to [his] Uttaratantra explanations, the points he makes when presenting the three dharmacakras, and also the explanations deriving from Sajjana’s heart disciple Tsen Kawoché, are [all] in accordance with mahāmudrā proper, I have relied on them and have made [this] clear to others as best as I could. (DRSM, 574.9-12)" Klaus-Dieter Mathes, A Direct Path to the Buddha Within, p. 368. |
PosEmptyLumin | Tathagatagarbha as Mind's Luminous Nature |
PosEmptyLuminNotes |
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"Tathagatagarbha as Mind's Luminous Nature" is not in the list (Tathāgatagarbha as the Emptiness That is a Non-implicative Negation (without enlightened qualities), Tathāgatagarbha as the Emptiness That is an Implicative Negation (with enlightened qualities), Tathāgatagarbha as Mind's Luminous Nature, Tathāgatagarbha as the Unity of Emptiness and Luminosity, Tathāgatagarbha as a Causal Potential or Disposition (gotra), Tathāgatagarbha as the Resultant State of Buddhahood, Tathāgatagarbha as the Latent State of Buddhahood that is Obscured in Sentient Beings, There are several types of Tathāgatagarbha, Tathāgatagarbha was Taught Merely to Encourage Sentient Beings to Enter the Path) of allowed values for the "PosEmptyLumin" property.