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The Third Dodrubchen, Jigme Tenpai Nyima was a prominent lineage holder of the Longchen Nyingtik. He was the eldest son of Dudjom Lingpa. He renovated Dodrubchen Monastery, the seat of his line established by his previous incarnation, spending the last decades of his life in near-seclusion in a hermitage nearby. +
The Third Trijang, Lobzang Yeshe Tenzin Gyatso was one of the most prominent Geluk teachers of the twentieth century. One of two principle teachers of the Fourteenth Dalai Lama, he was a disciple of the Pabongkha, from whom he received Ganden Nyengyu and numerous other teachings, including the worship of the deity Dorje Shugden. Virtually every Geluk teacher today has received teachings or empowerments from him or from one of his direct students. +
The Thirteenth Dalai Lama, Tubten Gyatso, lived through a turbulent time in Tibetan and world history. Forced into exile first by a British invasion and then by a Chinese invasion, the Thirteenth Dalai Lama learned about modern technology and different forms of government. Following the collapse of the Qing Dynasty, he declared independence for Tibet. His reforms and religious eclecticism put him in conflict with many conservative members of the Geluk clergy, who resisted his efforts to modernize Tibet. +
The Third Dzogchen Drubwang, Ngedon Tendzin Zangpo was the fifth abbot of Dzogchen Monastery, from 1773 to his death. During his tenure he sponsored the first printing of the so-called Tibetan Book of the Dead. +
The Third Karmapa, Rangjung Dorje, was a prominent Karma Kagyu hierarch who also held Nyingma and Chod lineages. He was likely the first man to carry the title of Karmapa, following his identification by Orgyenpa Rinchen Pal as the reincarnation of Karma Pakshi, whom Orgyenpa posthumously identified as the reincarnation of Dusum Khyenpa. He spent much of his life traveling across Tibet and made two visits to the Yuan court in China. +
The Third Tai Situ, Tashi Peljor, was a student of the Seventh Karmapa. He recognized the Eighth Karmapa by means of showing him items that had belonged to the Seventh Karmapa, possibly the first time such a method was used to identify reincarnations. +
Drangti Panchen Namkha Pelzang was the Thirteenth Ngor Khenchen, or abbot of Ngor Monastery, a post he held twice, from 1579 to 1582, and again from 1590 to 1595. +
Tukwan Lobzang Chokyi Nyima was a prolific author, composing works in subject as diverse as biographies, dramas, astrology, doxography, tantras, poetic works, correspondences and official documents, and so forth. Originally there were about five hundred titles collected into fifteen volumes that were preserved in traditional wooden blocks in Gonlung Jampa Ling out of which ten volumes are currently preserved in the Nationalities Publishing House (mi rigs dpe bskrun khang) in Beijing.
One of the best known of his compositions is his religious history, The Crystal Mirror: An Excellent Exposition That Shows the Sources and Assertions of All Tenet Systems (grub mtha' thams cad kyi khung dang 'dod tshul ston pa legs bshad shel gyi me long). This important work was completed in 1802, shortly before Tukwan passed away. In it he surveys the Buddhist traditions of India, Tibet, Mongolia, and China, including Bon, which he compares to Chinese Chan. The work is well-regarded for the relative impartiality of its presentation, combining the insults to Bon, Jonang and Nyingma one would expected in a work of its time with sympathetic descriptions of what the author found admirable in the non-Geluk traditions. In contrast to one of his famous teachers, Sumpa Khenpo, the Third Tukwan, looking more towards Beijing than to Lhasa as a base of support, was known for his ecumenical outlook. All three Tukwan incarnations, as well as the first two Changkya incarnations, were known as protectors of the Nyingma in Amdo. +
The Sixth Ling Rinpoche, Tubten Lungtok Namgyel Trinle, was one of the most renowned and respected Tibetan Buddhist masters of the twentieth century. He was a student of the Second Pabongkha and of the Thirteenth Dalai Lama, in whose administration he served. In 1941 he became a tutor to the Fourteenth Dalai Lama, and, in 1964, he was elevated to the position of the Ninety-Seventh Ganden Tripa, the first man to hold the position in exile. During his tenure he supervised the reestablishment of Geluk institutions in India. Ling Rinpoche traveled extensively to Europe, the Americas, and East Asia. +
Tong Ācārya (rgya'i lo ts+tsha ba ban d+he tong A tsarya) was a monk who participated in the translation of the ''Aṅgulimālīyasūtra'' into Tibetan in the late eighth or early ninth century. It is not known whether he was Indian or Chinese. According to Kazuo Kano, the colophon to the sūtra in the Tabo version of the Tibetan canon states that both Sanskrit and Chinese were used by the translators, and that while it refers to Tong Ācārya as an Indian paṇḍit (''rgya gar gyi mkhan po''), in other versions of versions of the canon he is called a Chinese translator (''rgya'i lo tsA ba''). The translation team on the sūtra included also [[Dharmatāśīla]] and [[Śākyaprabha]]. +
Trengpo Tertön Sherab Özer was a prominent Nyingma treasure-revealer. Initially trained as a geshe in both Sakya and Geluk traditions, he became the disciple and heir of DriKung Rinchen Puntsok in the Kagyu and Nyingma traditions. He played an important role in the development of the Nyingma tradition in central and southern Tibet, establishing Pelri Tekchen Ling Monastery in Chonggye, the first major Nyingma monastery in the region. +
Among Tibetans of his day, Tropu Lotsāwa was most famous for building an eighty-cubit-high image of the future Buddha Maitreya, consecrated by Śākyaśrī in 1212. He was one of the significant figures in the early Tropu Kagyu, responsible for bringing the very important Indian Buddhist teachers Mitrayogin, Buddhaśrī, and Śākyaśrī to Tibet. Many of his translations, but only a few of his writings, are available today. +
Trulzhik Sengge Gyabpa was a holder of the Nyingtik lineage of Dzogchen. He was a disciple of Guru Jober and a teacher of Melong Dorje. +
Perhaps best known today as the author and publisher of the famous biography and collected songs of Milarepa, Tsangnyon Heruka was also one of the most influential mad yogins of Tibet. He is famous for having renovated the Svayambhū Stūpa in the Kathmandu Valley, and for inspiring a whole school of textual production and printing, sometimes referred to as “the School of Tsangnyon.” Tsangnyon practiced and disseminated the core teachings of the Kagyu tradition: the Six Dharmas of Nāropa, Mahāmudrā, and the Aural Transmissions that had been transmitted by Milarepa’s closest disciples. +
Tsembupa Darma Wozer was an important Tibetan saint whose method of meditation on Avalokiteśvara, which he received directly from the deity Nairātmyā—or in some versions of the story from Vajrayoginī or Vajravārāhī—became very popular in Tibet. +
Tsen Khawoche was an eleventh-century disciple of the Kashmiri paṇḍita Sajjana. He is credited by Tibetan historians for giving rise to the "meditative" tradition of exegesis of the ''Ratnagotravibhāga'', a main source of buddha-nature theory in Tibet, which heavily influenced Mahāmudrā and the "other-emptiness" philosophical position. +
Khandro Tsering Chodron, known to many simply as Khandro-la, was the wife of Jamyang Khyentse Chokyi Lodro. Following their marriage in 1948 she lived at Dzongsar and received instruction from tutors and lamas including Khyentse Chokyi Lodro himself. She accompanied Chokyi Lodro when he left Dzongsar in 1955 and travelled to Lhasa and then into Sikkim and India. After Khyentse Chokyi Lodro's death in 1959, she lived for more than four decades in the presence of his reliquary stūpa, at the Royal Chapel in Gangtok, Sikkim, in simple conditions. She moved to France in 2006 and remained there until her death in 2011, after which a golden-domed memorial stupa was constructed to house her relics. Even though she never formally taught or gave empowerments, she was widely revered, even among senior Tibetan Buddhist teachers, for the sanctity of her presence, and for her humility, devotion, and playful humour. +
Jigme Rigpai Lodro was one of the great Tibetan polymaths of the twentieth century, writing extensively on Tibetan history, language, astronomy and Buddhism. By dint of his historical life and dedication to Tibetan scholarship, he acted as a conduit between “traditional” and “modern” Tibet. He is most famous for his role as one of the so-called Three Great Scholars after the Cultural Revolution. This epithet is drawn from tenth century Tibetan history when the first Three Great Scholars brought the Dharma to Eastern Tibet due to Langdarma’s persecution of Buddhism in central Tibet. Thus this title indicates how Alak Zhabdrung and the other two Great Scholars, Dungkar Lobzang Trinle and Muge Samten, contributed significantly to the revival of Tibetan scholarship, both at monasteries and secular institutions, following a near twenty-year vacuum due to various political campaigns. Many of today’s great Tibetologists both in the PRC and abroad studied with one of these Three Great Scholars. +
Tsonawa Sherab Zangpo was an important early Tibetan Vinaya scholar as well as a lineage holder of the Lamrim tradition. Two of his Vinaya texts are considered the most complete and lucid works on the Vinaya written in Tibet and are still studied in all traditions of Tibetan Buddhism. He is the first incarnation in the line of Mon Tsona Tulkus. +
Tsongkhapa Lobzang Drakpa was one of the most influential Tibetan Buddhist scholars of the last millennium. Born in Amdo, he travelled to U-Tsang in his youth, never to return to his homeland. In U-Tsang he studied with numerous teachers of all traditions and engaged in many retreats resulting in his development of a fresh interpretation of Nāgārjuna's Madhyamaka view and a reinvigoration of the monastic Vinaya. Widely regarded as an emanation of Mañjuśrī, Tsongkhapa composed eighteen volumes of works of which the majority dealt with tantric subjects. He was the founder of Ganden Monastery, which became the central monastery of the Geluk tradition that was founded on his teachings and writings. +
