Go rams pa bsod nams seng ge: Difference between revisions

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Go rams pa bsod nams seng ge
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|HasDnzPage=No
|HasDnzPage=No
|HasBnwPage=Yes
|HasBnwPage=Yes
|pagename=Go rams pa bsod nams seng ge
|PersonType=Classical Tibetan Authors
|images=File:Gorampa.jpg
|MainNamePhon=Gorampa Sönam Senge
|MainNamePhon=Gorampa Sönam Senge
|MainNameTib=གོ་རམས་པ་བསོད་ནམས་སེངྒེ་
|MainNameTib=གོ་རམས་པ་བསོད་ནམས་སེངྒེ་
|MainNameWylie=go rams pa bsod nams seng+ge
|MainNameWylie=go rams pa bsod nams seng+ge
|bio=Götsangpa Gönpo Dorje (1189-1258) was a mahasiddha of the Drukpa Kagyü school, well known for his songs of realization and said to have been an emanation of Milarepa. He was born in southern Tibet, but moved to Central Tibet, where he met his main teachers Tsangpa Gyaré Yeshe Dorje and Sangye Ön. Following his studies, he traveled from one isolated hermitage to another, never staying in the same place twice. He founded the branch of the Drukpa Kagyü school known as the Upper Drukpa (སྟོད་འབྲུག་, stod 'brug). His students included Orgyenpa Rinchen Pal. Rigpawiki [[https://www.rigpawiki.org/index.php?title=Götsangpa_Gönpo_Dorje]]
|PersonType=Classical Tibetan Authors
|images=File:Gorampa.jpg
|BdrcLink=https://www.tbrc.org/#!rid=P1042
|TolLink=https://treasuryoflives.org/biographies/view/Gorampa-Sonam-Sengge/1985
|tolExcerpt=Gorampa Sonam Sengge, the Sixth Ngor Khenchen, was a disciple of Rongton Sheja Kunrik and Ngorchen Kunga Zangpo. He was an important thinker of the Sakya tradition, establishing a Madhyamaka view that was critical of both Dolpopa and Tsongkhapa. Gorampa founded Tanak Serling and Tanak Tubten Namgyel monasteries. The latter would become an important teaching center for the Sakya tradition. Famed for his learning in both sutras and tantras, he became known as one of the “Ornaments of Tibet” an epithet granted to six of the Sakya tradition's most revered masters.
|HarLink=https://www.himalayanart.org/search/set.cfm?setID=2081
|AltNamesWylie=go bo rab 'byams pa bsod nams seng+ge; ngor mkhan chen 06
|AltNamesWylie=go bo rab 'byams pa bsod nams seng+ge; ngor mkhan chen 06
|AltNamesTib=གོ་བོ་རབ་འབྱམས་པ་བསོད་ནམས་སེངྒེ་; ངོར་མཁན་ཆེན་༠༦་
|AltNamesTib=གོ་བོ་རབ་འབྱམས་པ་བསོད་ནམས་སེངྒེ་; ངོར་མཁན་ཆེན་༠༦་
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|TibDateRabjung=7
|TibDateRabjung=7
|ReligiousAffiliation=Sakya
|ReligiousAffiliation=Sakya
|StudentOf=Dkon mchog rgyal mtshan; rong ston shes bya kun rig; Ngor mkhan chen, 1st;
|StudentOf=Dkon mchog rgyal mtshan; rong ston shes bya kun rig; Ngor mkhan chen, 1st
|BdrcLink=https://www.tbrc.org/#!rid=P1042
|BuNayDefProvComplex=No
|TolLink=https://treasuryoflives.org/biographies/view/Gorampa-Sonam-Sengge/1985
|BuNayWheelTurnComplex=No
|tolExcerpt=Gorampa Sonam Sengge, the Sixth Ngor Khenchen, was a disciple of Rongton Sheja Kunrik and Ngorchen Kunga Zangpo. He was an important thinker of the Sakya tradition, establishing a Madhyamaka view that was critical of both Dolpopa and Tsongkhapa. Gorampa founded Tanak Serling and Tanak Tubten Namgyel monasteries. The latter would become an important teaching center for the Sakya tradition. Famed for his learning in both sutras and tantras, he became known as one of the “Ornaments of Tibet” an epithet granted to six of the Sakya tradition's most revered masters.
|BuNayYogaMadhyaComplex=No
|HarLink=https://www.himalayanart.org/search/set.cfm?setID=2081
|BuNayZhenRangComplex=No
|BuNayVehiclesComplex=No
|BuNayAnalyticMeditComplex=No
|PosEmptyLumin=Tathāgatagarbha as the Unity of Emptiness and Luminosity
|PosEmptyLumin=Tathāgatagarbha as the Unity of Emptiness and Luminosity
|BuNayEmptyLuminComplex=No
|PosEmptyLuminNotes="In the later Sakya School, it is the works of Gorampa Sönam Sengé (1429–1489) that are usually taken to be authoritative. According to him, the tathāgata heart refers to the nondual unity of mind’s lucidity and emptiness or awareness and emptiness free from all reference points. It is not mere emptiness because sheer emptiness cannot be the basis of both saṃsāra and nirvāṇa. However, it is not mere lucidity either because this lucidity is a conditioned entity and the tathāgata heart is unconditioned." [[Brunnhölzl, K.]], [[When the Clouds Part]], p. 76.
|PosEmptyLuminNotes="In the later Sakya School, it is the works of Gorampa Sönam Sengé (1429–1489) that are usually taken to be authoritative. According to him, the tathāgata heart refers to the nondual unity of mind’s lucidity and emptiness or awareness and emptiness free from all reference points. It is not mere emptiness because sheer emptiness cannot be the basis of both saṃsāra and nirvāṇa. However, it is not mere lucidity either because this lucidity is a conditioned entity and the tathāgata heart is unconditioned." [[Brunnhölzl, K.]], [[When the Clouds Part]], p. 76.
|IsInGyatsa=No
|IsInGyatsa=No
|pagename=Go rams pa bsod nams seng ge
}}
}}

Revision as of 16:43, 1 June 2021

Gorampa.jpg
PersonType Category:Classical Tibetan Authors
MainNamePhon Gorampa Sönam Senge
MainNameTib གོ་རམས་པ་བསོད་ནམས་སེངྒེ་
MainNameWylie go rams pa bsod nams seng+ge
AltNamesTib གོ་བོ་རབ་འབྱམས་པ་བསོད་ནམས་སེངྒེ་  ·  ངོར་མཁན་ཆེན་༠༦་
AltNamesWylie go bo rab 'byams pa bsod nams seng+ge  ·  ngor mkhan chen 06
AltNamesOther Ngor Khenchen, 6th
bio Götsangpa Gönpo Dorje (1189-1258) was a mahasiddha of the Drukpa Kagyü school, well known for his songs of realization and said to have been an emanation of Milarepa. He was born in southern Tibet, but moved to Central Tibet, where he met his main teachers Tsangpa Gyaré Yeshe Dorje and Sangye Ön. Following his studies, he traveled from one isolated hermitage to another, never staying in the same place twice. He founded the branch of the Drukpa Kagyü school known as the Upper Drukpa (སྟོད་འབྲུག་, stod 'brug). His students included Orgyenpa Rinchen Pal. Rigpawiki [[1]]
YearBirth 1429
YearDeath 1489
BornIn go bo (khams)
TibDateGender Female
TibDateElement Earth
TibDateAnimal Bird
TibDateRabjung 7
ReligiousAffiliation Sakya
StudentOf Dkon mchog rgyal mtshan  ·  rong ston shes bya kun rig  ·  Ngorchen Kunga Zangpo
BDRC https://www.tbrc.org/#!rid=P1042
Treasury of Lives https://treasuryoflives.org/biographies/view/Gorampa-Sonam-Sengge/1985
Himalayan Art Resources https://www.himalayanart.org/search/set.cfm?setID=2081
IsInGyatsa No
PosEmptyLumin Tathāgatagarbha as the Unity of Emptiness and Luminosity
PosEmptyLuminNotes "In the later Sakya School, it is the works of Gorampa Sönam Sengé (1429–1489) that are usually taken to be authoritative. According to him, the tathāgata heart refers to the nondual unity of mind’s lucidity and emptiness or awareness and emptiness free from all reference points. It is not mere emptiness because sheer emptiness cannot be the basis of both saṃsāra and nirvāṇa. However, it is not mere lucidity either because this lucidity is a conditioned entity and the tathāgata heart is unconditioned." Karl Brunnhölzl, When the Clouds Part, p. 76.
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