Rong ston shes bya kun rig: Difference between revisions
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{{Person | {{Person | ||
|HasDrlPage= | |PersonType=Classical Tibetan Authors | ||
|HasDrlPage=Yes | |||
|HasLibPage=No | |HasLibPage=No | ||
|HasRtzPage=No | |HasRtzPage=No | ||
|HasDnzPage=No | |HasDnzPage=No | ||
|HasBnwPage=Yes | |HasBnwPage=Yes | ||
|MainNameWylie=rong ston shes bya kun rig | |MainNameWylie=rong ston shes bya kun rig | ||
|MainNameTib=རོང་སྟོན་ཤེས་བྱ་ཀུན་རིག་ | |MainNameTib=རོང་སྟོན་ཤེས་བྱ་ཀུན་རིག་ | ||
|MainNamePhon=Rongtön Sheja Kunrik | |||
|AltNamesWylie=shAkya rgyal mtshan; smra ba'i seng+ge; shes bya kun gzigs; rong TI ka pa; shes rab 'od zer | |AltNamesWylie=shAkya rgyal mtshan; smra ba'i seng+ge; shes bya kun gzigs; rong TI ka pa; shes rab 'od zer | ||
|AltNamesTib=ཤཱཀྱ་རྒྱལ་མཚན་; སྨྲ་བའི་སེངྒེ; ་ཤེས་བྱ་ཀུན་གཟིགས་; རོང་ཊཱི་ཀ་པ་; ཤེས་རབ་འོད་ཟེར་ | |AltNamesTib=ཤཱཀྱ་རྒྱལ་མཚན་; སྨྲ་བའི་སེངྒེ; ་ཤེས་བྱ་ཀུན་གཟིགས་; རོང་ཊཱི་ཀ་པ་; ཤེས་རབ་འོད་ཟེར་ | ||
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|HarLink=https://www.himalayanart.org/items/89472 | |HarLink=https://www.himalayanart.org/items/89472 | ||
|images=File:Rongton Sheja Kunrig.jpg{{!}}[https://www.himalayanart.org/items/89472 Himalayan Art Resources] | |images=File:Rongton Sheja Kunrig.jpg{{!}}[https://www.himalayanart.org/items/89472 Himalayan Art Resources] | ||
|BnwShortPersonBio=Rongton Sheja Kunrik is the second in the line of great Sakya masters known as the Six Ornaments of Tibet. Among these teachers he is particularly revered for his mastery of the Buddhist sutras. Rongton studied and taught at Sangpu Neutok Monastery. He founded Penpo Nalendra Monastery in 1436. | |||
|PosBuNayDefProv=Definitive | |PosBuNayDefProv=Definitive | ||
|PosBuNayDefProvNotes=Generally speaking, Rongton's commentary on the RGV, which he wrote at Sangphu, follows the rngog lugs. | |PosBuNayDefProvNotes=Generally speaking, Rongton's commentary on the RGV, which he wrote at Sangphu, follows the rngog lugs. | ||
|PosAllBuddha=Qualified No | |PosAllBuddha=Qualified No | ||
|PosAllBuddhaNote=Sentient beings are endowed with the naturally abiding gotra, but not the | |PosAllBuddhaNote=Sentient beings are endowed with the naturally abiding gotra, but not the dharmakāya. | ||
|PosYogaMadhya=Madhyamaka | |PosYogaMadhya=Madhyamaka | ||
|PosZhenRang=Rangtong | |PosZhenRang=Rangtong | ||
|PosAnalyticMedit=Analytic Tradition | |PosAnalyticMedit=Analytic Tradition | ||
|PosEmptyLumin=Tathagatagarbha as Suchness | |PosEmptyLumin=Tathagatagarbha as Suchness | ||
|PosEmptyLuminNotes="Rongtön explains that what is called “the tathāgata heart” is suchness with stains (the basic element not liberated from the cocoon of the afflictions), which is the emptiness of mind with stains. By contrast, the dharmakāya of a tathāgata is what is liberated from this cocoon. The term “tathāgata heart” is used in terms of what is primary because this heart (in the sense of emptiness) is explained to exist at the time of the fruition too. This also refutes the assertion that the fully qualified tathāgata heart is solely the buddhahood that is endowed with twofold purity (natural purity and purity of adventitious stains) because it is explained repeatedly that the primary tathāgata heart is suchness with stains. Rongtön’s commentary on the Abhisamayālaṃkāra says that the Mādhyamikas identify the disposition as the dharmadhātu specified by the six inner āyatanas." [[Brunnhölzl, K.]], [[When the Clouds Part]], p. 76. | |PosEmptyLuminNotes="Rongtön explains that what is called “the tathāgata heart” is suchness with stains (the basic element not liberated from the cocoon of the afflictions), which is the emptiness of mind with stains. By contrast, the dharmakāya of a tathāgata is what is liberated from this cocoon. The term “tathāgata heart” is used in terms of what is primary because this heart (in the sense of emptiness) is explained to exist at the time of the fruition too. This also refutes the assertion that the fully qualified tathāgata heart is solely the buddhahood that is endowed with twofold purity (natural purity and purity of adventitious stains) because it is explained repeatedly that the primary tathāgata heart is suchness with stains. Rongtön’s commentary on the Abhisamayālaṃkāra says that the Mādhyamikas identify the disposition as the dharmadhātu specified by the six inner āyatanas." [[Brunnhölzl, K.]], ''[[When the Clouds Part]]'', p. 76. | ||
|IsInGyatsa=No | |IsInGyatsa=No | ||
}} | }} |
Revision as of 12:39, 6 July 2018
PersonType | Category:Classical Tibetan Authors |
---|---|
MainNamePhon | Rongtön Sheja Kunrik |
MainNameTib | རོང་སྟོན་ཤེས་བྱ་ཀུན་རིག་ |
MainNameWylie | rong ston shes bya kun rig |
AltNamesTib | ཤཱཀྱ་རྒྱལ་མཚན་ · སྨྲ་བའི་སེངྒེ · ་ཤེས་བྱ་ཀུན་གཟིགས་ · རོང་ཊཱི་ཀ་པ་ · ཤེས་རབ་འོད་ཟེར་ |
AltNamesWylie | shAkya rgyal mtshan · smra ba'i seng+ge · shes bya kun gzigs · rong TI ka pa · shes rab 'od zer |
YearBirth | 1367 |
YearDeath | 1449 |
BornIn | rgyal mo rong |
TibDateGender | Female |
TibDateElement | Fire |
TibDateAnimal | Sheep |
TibDateRabjung | 6 |
ReligiousAffiliation | sa skya |
StudentOf | g.yag ston sangs rgyas dpal · gnyag phu ba bsod nams bzang po |
TeacherOf | shAkya mchog ldan · Gö Lotsāwa Zhönu Pal · go rams pa bsod nams seng ge · Sixth Karmapa Tongwa Donden · dkon mchog rgyal mtshan |
BDRC | https://www.tbrc.org/#!rid=P431 |
Treasury of Lives | https://treasuryoflives.org/biographies/view/Rongton-Sheja-Kunrig/6735 |
Himalayan Art Resources | https://www.himalayanart.org/items/89472 |
IsInGyatsa | No |
BnwShortPersonBio | Rongton Sheja Kunrik is the second in the line of great Sakya masters known as the Six Ornaments of Tibet. Among these teachers he is particularly revered for his mastery of the Buddhist sutras. Rongton studied and taught at Sangpu Neutok Monastery. He founded Penpo Nalendra Monastery in 1436. |
PosBuNayDefProv | Definitive |
PosBuNayDefProvNotes | Generally speaking, Rongton's commentary on the RGV, which he wrote at Sangphu, follows the rngog lugs. |
PosAllBuddha | Qualified No |
PosAllBuddhaNote | Sentient beings are endowed with the naturally abiding gotra, but not the dharmakāya. |
PosYogaMadhya | Madhyamaka |
PosZhenRang | Rangtong |
PosAnalyticMedit | Analytic Tradition |
PosEmptyLumin | Tathagatagarbha as Suchness |
PosEmptyLuminNotes | "Rongtön explains that what is called “the tathāgata heart” is suchness with stains (the basic element not liberated from the cocoon of the afflictions), which is the emptiness of mind with stains. By contrast, the dharmakāya of a tathāgata is what is liberated from this cocoon. The term “tathāgata heart” is used in terms of what is primary because this heart (in the sense of emptiness) is explained to exist at the time of the fruition too. This also refutes the assertion that the fully qualified tathāgata heart is solely the buddhahood that is endowed with twofold purity (natural purity and purity of adventitious stains) because it is explained repeatedly that the primary tathāgata heart is suchness with stains. Rongtön’s commentary on the Abhisamayālaṃkāra says that the Mādhyamikas identify the disposition as the dharmadhātu specified by the six inner āyatanas." Karl Brunnhölzl, When the Clouds Part, p. 76. |
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"Tathagatagarbha as Suchness" is not in the list (Tathāgatagarbha as the Emptiness That is a Non-implicative Negation (without enlightened qualities), Tathāgatagarbha as the Emptiness That is an Implicative Negation (with enlightened qualities), Tathāgatagarbha as Mind's Luminous Nature, Tathāgatagarbha as the Unity of Emptiness and Luminosity, Tathāgatagarbha as a Causal Potential or Disposition (gotra), Tathāgatagarbha as the Resultant State of Buddhahood, Tathāgatagarbha as the Latent State of Buddhahood that is Obscured in Sentient Beings, There are several types of Tathāgatagarbha, Tathāgatagarbha was Taught Merely to Encourage Sentient Beings to Enter the Path) of allowed values for the "PosEmptyLumin" property.