Tilakakalaśa

PersonType	Category:Translators
MainNamePhon	Tilakakalaśa
MainNameTib	ཐིག་ལེ་བུམ་པ་
MainNameWylie	Thig le bum pa
SortName	Tilakakalaśa
bio	Tilakakalaśa: Tilakakalśa or Tilakalaśa is known in Tibetan as Thig-le bum-pā. The name is sometimes rendered as Bindukalaśa. He occupied himself mostly in the Mādhyamika philosophy, and composed four hymns. He collaborated with Ñi-ma grags and Blo-ldan śes-rab. Before going to Tibet, he translated in Kashmir, with Ñi-ma grags the Mādhyamakāvatāra of Candrakīrti and the self-commentary in 3550 [?] ślokas. Together, both re-arranged the translation of the Mādhyamakāvatārakārikā done by Kṛṣṇapāda and Chul-kḥrims rgyal-pa. They also translated Śrīguḥyasāmājamaṇḍalopāyikāviṃśavidhi of Nāgabodhi. The work is attached to the school of the Guhyasamāja of Nāgārjuna. In collaboration with Blo-ldan śes-rab, Tilakakalaśa reviewed the interpretation of the Śikṣāsamuccaya of Śāntideva done by Dānaśīla, Jinamitra and Ye-śes sde during the 9th century. Together they also translated two texts dealing with the Prajñāpāramitā ('Perfection of Wisdom') in 8000 stanzas. The texts include: Āryaprajñāpāramitāsaṃgrahakārikā of Dignāga, also known as Aṣṭasāhasrikāpinḍārtha, and its commentary in 540 ṣlokas by Triratnadāsa. He also translated the following fifteen hymns: 1. The Vāgiśvarastotra, 2. The Āryamañjuśrīstotra, 3. The Āryavāgiśvarastotra, 4. The Lokeśvarasiṃhanāda nāma stora [stotra?], 5. Prajñāpāramitastotra 6. Acintyastava, 7. Stutyatītastava, 8. Niruttarastava, 9. Āryabhattārakamañjuśrīparmārhastuti, 10. Āryamañjuśrībhattārakakarunāstotra, 11. Aṣṭamahāsthanacaityastotra, 12. Aṣṭamahāsthanacaityastotra [Listed 2x in source as nos. 11 and 12] 13. Dvādaśakāranayastotra, 14. Vandanāstotra, and 15. Narakoddhāra. Of these, the first four are attributed to Tilakakalaśa himself and the rest to Nāgārjuna. (Kaul, Buddhist Savants of Kashmir, 47–48)
IsInGyatsa	No
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Though it can simply be used as the expression "I" or "me", in Indian thought the notion of self refers to a permanent, unchanging entity, such as that which passes from life to life in the case of people, or the innate essence (svabhāva) of phenomena.

A class of Mahāyāna sūtras which represents some of the earliest known literature of this genre of Buddhism. There are around forty texts associated with this category, though the most widespread is the exceedingly brief Prajñāpāramitāhṛdayasūtra, popularly known as the Heart Sūtra. This class of literature is typically associated with the second turning of the dharma wheel and especially with the teachings on emptiness (śūnyatā). As such, these texts were the primary scriptural source for the philosophy of the Madhyamaka school.