Poulton, M.

Poulton, M. on the DRL

Authors of English Works

Mark Cody Poulton

English Phonetics	M. Cody Poulton
Sort Name	Poulton, Mark

Tibetan calendar dates

Dates of birth

Day
Month
Gender
Element
Animal
Rab Jyung

Dates of passing

Day
Month
Gender
Element
Animal
Rab Jyung

Contact information

Website:	Faculty Page

About

Primary Affiliation (Workplace)

University of Victoria

Biographical Information

M. Cody Poulton has been teaching Japanese language, literature and theatre in the Department of Pacific and Asian Studies at the University of Victoria since 1988. His research has focused on Japanese theatre and drama, particularly of the modern period. He has also been active as a translator of kabuki and modern Japanese fiction and drama, for both publication and live stage productions in Canada, the United States, Europe, Australia and Japan. Poulton’s books include Spirits of Another Sort: The Plays of Izumi Kyoka, A Beggar’s Art: Scripting Modernity in Japanese, 1900‑1930, and his translation of Yasuhiko Ohasi’s Godzilla. (Source Accessed Sep 18, 2021)

Links

Wiki Pages

• Poulton, M. on the DRL
• Poulton, M. on the LIB
• Poulton, M. on the BNW

Buddha Nature Project

Person description or short bio

Expand to see this person's philosophical positions on Buddha-nature.

Is Buddha-nature considered definitive or provisional?
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All beings have Buddha-nature
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If "Qualified", explain:
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Which Wheel Turning
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Yogācāra vs Madhyamaka
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Zhentong vs Rangtong
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Promotes how many vehicles?
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Analytic vs Meditative Tradition
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What is Buddha-nature?
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Svātantrika (རང་རྒྱུད་) vs Prāsaṅgika (ཐལ་འགྱུར་པ་)
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Causal nature of the vajrapāda
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Refers to something that is taught for a specific reason, rather than because it is entirely true.

Along with Madhyamaka, it was one of the two major philosophical schools of Mahāyāna Buddhism. Founded by Asaṅga and Vasubandhu around the fourth century CE, many of its central tenets have roots in the Saṃdhinirmocanasūtra and the so-called third turning of the dharma wheel (see tridharmacakrapravartana).

Along with Yogācāra, it is one of the two major philosophical schools of Mahāyāna Buddhism. Founded by Nāgārjuna around the second century CE, it is rooted in the Prajñāpāramitā Sūtras, though its initial exposition was presented in Nāgārjuna's Mūlamadhyamakakārikā.

The state of being devoid of that which is wholly different rather than being void of its own nature. The term is generally used to refer to the ultimate, or buddha-nature, being empty of other phenomena such as adventitious defiling emotions but not empty of its true nature.

The state of being empty of self, which references the lack of inherent existence in relative phenomena.

Tsen Khawoche's "meditative tradition" of exegesis of the Uttaratantra; it is one of two major Tibetan traditions of exegesis, both stemming from students of Sajjana.