Kun gzhi
Key Term | kun gzhi |
---|---|
Topic Variation | universal ground |
Hover Popup Choices | kun gzhi; kunzhi; kunshi; all-ground |
In Tibetan Script | ཀུན་གཞི་ |
Wylie Tibetan Transliteration | kun gzhi |
Devanagari Sanskrit Script | आलय |
Romanized Sanskrit | ālaya |
Tibetan Phonetic Rendering | kunzhi |
English Standard | universal ground |
Jeffrey Hopkin's English Term | basis-of-all |
Dan Martin's English Term | all basis |
Ives Waldo's English Term | all-ground |
Term Type | Noun |
Source Language | Sanskrit |
Basic Meaning | Although it is commonly used as an abbreviation of ālayavijñāna (kun gzhi'i rnam shes), in later Tibetan traditions, particularly that of the Kagyu and the Nyingma, it came to denote an ultimate or pure basis of mind, as opposed to the ordinary, deluded consciousness represented by the ālayavijñāna. |
Has the Sense of | This term entered the Tibetan lexicon as a translation of ālaya, and thus it is often rendered back to its Sanskrit antecedent in modern scholarship and translations. However, as a Tibetan term it is more commonly read literally as the compound all-ground, or ground of everything. As such it is often used to describe a common locus, or substrate, out of which both saṃsāra and nirvāṇa emerge. |
Related Terms | gzhi |
Definitions | |
Usage Example |
In his Entering the Way of the Great Vehicle, Rongzompa states, ཐེག་པ་གོང་མའི་ཚུལ་ལས་ནི།་ཀུན་གཞིའི་མཚན་ཉིད་གདོད་མ་ནས་བྱང་ཆུབ་སེམས་ཞེས་བྱ་བལ་ཉོན་མོངས་པ་དང་གནས་ངན་ལེན་གྱི་བག་ཆགས་ནི་གློ་བུར་གྱི་དྲི་མ་སྟེ་གསེར་གཡས་གཡོགས་པའམི་ནོར་བུ་རིན་པོ་ཆེ་འདམ་དུ་སྦུབས་པ་བཞིན་ཡོན་ཏན་ཅུང་ཟད་མི་སྣང་བར་ཟད་དེལ་རང་བཞིན་ཉམས་པར་བྱས་པ་མེད་དོ། "In the higher vehicles, the characteristic of the ālaya [kun gzhi] is that it is the primordial awakened mind [bodhicitta]. The afflictions and the imprints that lead to birth in the lower realms are adventitious obscurations, like oxide covering gold, or dirt covering a precious jewel. Although the buddha qualities are temporarily hidden, their nature is not defiled." -Translated in Sam van Schaik. Approaching the Great Perfection: Simultaneous and Gradual Approaches to Dzogchen Practice in Jigme Lingpa's Longchen Nyingtig. Boston: Wisdom Publications, 2004: p. 63.
|