Rhi, J.: Difference between revisions

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{{Person
{{Person
|namefirst=Juhyung
|namelast=Rhi
|PersonType=Authors of English Works; Professors
|bio=Prof. Juhyung Rhi mainly works on Buddhist art of India, Central Asia, and Korea. The majority of his publications concern the ancient Indian tradition up to the fifth century CE, especially focusing on ancient Gandhara, and the Korean tradition. In these works, he has been attempting to draw comprehensive pictures of the two reigional traditions, treating their diverse aspects such as the religiosity of visual monuments, the narrative art and textual tradition, the formulation and transformation of visual features, the function and perception of visual objects, and the materiality of relgious monuments. Simultaneously, he has explored theoretical issues in stylistic reasoning, iconography, and conflict between aesthetic and devotional attitudes and attempted to apply them to Korean Buddhist art in a critical spirit. He has also produced works on East Asian pilgrims who traveled to India. ([https://humanities.snu.ac.kr/en/academics/faculty?md=view&profidx=142 Source Accessed Jan 13, 2026])
|images=File:Juhyung Rhi.jpg
|classification=People
|classification=People
|pagename=Rhi, J.
|pagename=Rhi, J.
|PersonType=Professors; Authors of English Works
|namelast=Rhi
|namefirst=Juhyung
|affiliation=Seoul National University
|affiliation=Seoul National University
|pagecreationdate=12 August 2016
|pagecreationdate=12 August 2016
}}
}}

Latest revision as of 16:45, 13 January 2026

Juhyung Rhi.jpg
PersonType Category:Authors of English Works
Category:Professors
FirstName / namefirst Juhyung
LastName / namelast Rhi
bio Prof. Juhyung Rhi mainly works on Buddhist art of India, Central Asia, and Korea. The majority of his publications concern the ancient Indian tradition up to the fifth century CE, especially focusing on ancient Gandhara, and the Korean tradition. In these works, he has been attempting to draw comprehensive pictures of the two reigional traditions, treating their diverse aspects such as the religiosity of visual monuments, the narrative art and textual tradition, the formulation and transformation of visual features, the function and perception of visual objects, and the materiality of relgious monuments. Simultaneously, he has explored theoretical issues in stylistic reasoning, iconography, and conflict between aesthetic and devotional attitudes and attempted to apply them to Korean Buddhist art in a critical spirit. He has also produced works on East Asian pilgrims who traveled to India. (Source Accessed Jan 13, 2026)
affiliation Seoul National University
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