Watt, J.: Difference between revisions
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|bio=Jeff Watt (Wikipedia), one of the leading scholars of Himalayan art, acquired his prodigious knowledge of Buddhist, Bon and Hindu iconography from a longtime study of Buddhism and Tantra. As a teenager, he studied with Dezhung Rinpoche (Seattle, Wash.) and Sakya Trizin (Dehradun, India), dropping out of school at seventeen to take monastic vows from the 16th Gyalwa Karmapa. For the next eleven years, Watt trained intensively in India, Canada and the U.S., with teachers such as Dudjom Rinpoche, Dilgo Khyentse Rinpoche, Kalu Rinpoche, and Sakya Jetsun Chimey. In 1985 he gave back his monastic ordinations but continued to study and to translate sacred Tibetan and Sanskrit texts, along with completing numerous traditional retreats over years of periodic isolated practice, much of it in the rugged mountains of British Columbia, Canada. | |bio=Jeff Watt (Wikipedia), one of the leading scholars of Himalayan art, acquired his prodigious knowledge of Buddhist, Bon and Hindu iconography from a longtime study of Buddhism and Tantra. As a teenager, he studied with Dezhung Rinpoche (Seattle, Wash.) and Sakya Trizin (Dehradun, India), dropping out of school at seventeen to take monastic vows from the 16th Gyalwa Karmapa. For the next eleven years, Watt trained intensively in India, Canada and the U.S., with teachers such as Dudjom Rinpoche, Dilgo Khyentse Rinpoche, Kalu Rinpoche, and Sakya Jetsun Chimey. In 1985 he gave back his monastic ordinations but continued to study and to translate sacred Tibetan and Sanskrit texts, along with completing numerous traditional retreats over years of periodic isolated practice, much of it in the rugged mountains of British Columbia, Canada. | ||
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He is the Director and Chief Curator of Himalayan Art Resources (HAR), a website and 'virtual museum' featuring upwards of 100,000 images with detailed descriptions, making it the most comprehensive resource for Himalayan 'style' art and iconography in the world. He has worked on HAR since April 1998 at which time there were 625 images in total (Tibetan paintings only). Source: ([https://www.himalayanart.org/search/set.cfm?setID=1769 Himalayan Art Resources]) | He is the Director and Chief Curator of Himalayan Art Resources (HAR), a website and 'virtual museum' featuring upwards of 100,000 images with detailed descriptions, making it the most comprehensive resource for Himalayan 'style' art and iconography in the world. He has worked on HAR since April 1998 at which time there were 625 images in total (Tibetan paintings only). Source: ([https://www.himalayanart.org/search/set.cfm?setID=1769 Himalayan Art Resources]) | ||
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|associatedwebsite=https://www.himalayanart.org | |||
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Revision as of 13:29, 25 July 2024
PersonType | Category:Professors |
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FirstName / namefirst | Jeff |
LastName / namelast | Watt |
MainNamePhon | Jeff Watt |
SortName | Watt, Jeff |
bio | Jeff Watt (Wikipedia), one of the leading scholars of Himalayan art, acquired his prodigious knowledge of Buddhist, Bon and Hindu iconography from a longtime study of Buddhism and Tantra. As a teenager, he studied with Dezhung Rinpoche (Seattle, Wash.) and Sakya Trizin (Dehradun, India), dropping out of school at seventeen to take monastic vows from the 16th Gyalwa Karmapa. For the next eleven years, Watt trained intensively in India, Canada and the U.S., with teachers such as Dudjom Rinpoche, Dilgo Khyentse Rinpoche, Kalu Rinpoche, and Sakya Jetsun Chimey. In 1985 he gave back his monastic ordinations but continued to study and to translate sacred Tibetan and Sanskrit texts, along with completing numerous traditional retreats over years of periodic isolated practice, much of it in the rugged mountains of British Columbia, Canada.
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associatedwebsite | https://www.himalayanart.org |
IsInGyatsa | No |
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