Ngawang Tsoknyi Gyatso

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(Redirected from Tshogs gnyis rgya mtsho)
Ngag dbang tshogs gnyis rgya mtsho

TshognyiGyatso JonangFoundation.jpg
PersonType Category:Classical Tibetan Authors
MainNamePhon Ngawang Tsoknyi Gyatso
MainNameTib ངག་དབང་ཚོགས་གཉིས་རྒྱ་མཚོ་
MainNameWylie ngag dbang tshogs gnyis rgya mtsho
AltNamesTib འཛམ་ཐང་མཁན་པོ་ཚོགས་གཉིས་རྒྱ་མཚོ་  ·  ཚོགས་གཉིས་རྒྱ་མཚོ་
AltNamesWylie 'dzam thang mkhan po tshogs gnyis rgya mtsho  ·  tshogs gnyis rgya mtsho
YearBirth 1880
YearDeath 1940
BornIn rab kha grong sde ('Dzam thang, A mdo.)
TibDateGender Female
TibDateElement Iron
TibDateAnimal Dragon
TibDateRabjung 15
TibDateDeathGender Male
TibDateDeathElement Iron
TibDateDeathAnimal Dragon
TibDateDeathRabjung 16
ReligiousAffiliation Jonang
StudentOf thub bstan dge legs rgya mtsho  ·  'dzong bo skyabs mgon  ·  ngag dbang chos 'dzin
TeacherOf blo gros grags pa  ·  smon lam bzang po  ·  ngag dbang bsod nams bzang po  ·  gsang sngags rgya mtsho
BDRC https://www.tbrc.org/#!rid=P7843
IsInGyatsa No
BnwShortPersonBio Tsoknyi Gyatso [was] a scholar of the Jonang tradition who was considered an incarnation of one of Dolpopa’s major disciples, Nyawon Kunga Pal (1285-1364) . . . Tsoknyi Gyatso’s writings are not only intriguing and perplexing because they present a specific species of zhentong, but they are important because they disclose to us the intentional workings of a major Jonang scholar during a fascinating period in far eastern Tibetan history. As a disciple of the great Jonang master from Dzamthang, Bamda Thubten Gelek Gyatso (1844-1904), Tsoknyi Gyatso was undoubtedly exposed to a rich nexus of views. Having lived at the crossroads of intellectual exchange during the height of the Rimé eclectic movement in Kham, Bamda Gelek studied with masters including Jamgon Kongtrul (1813-1899), Jamyang Khyentse Wangpo (1820-1892), Dza Patrul (1808-1887) and his Geluk teacher Akon. With these mentors close to his own teacher’s heart, it is safe to infer that Tsoknyi Gyatso was not only versed in the mainstream zhentong works of his own tradition from authors such as Dolpopa and Taranatha, but that he most likely inherited ways of thinking through alternative presentations of emptiness. (Source Accessed October 23, 2019)
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