Beer, R.: Difference between revisions
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{{Person | |||
|MainNamePhon=Robert Beer | |||
|SortName=Beer, Robert | |||
|namefirst=Robert | |||
|namelast=Beer | |||
|bio=Robert Beer has studied and practiced Tibetan thangka painting for thirty years, including five years of study with master artists Jampa of Dharamsala and Khamtrül Rinpoche of Tashijong. Beer is one of the first Westerners to become actively involved in this art form. Over the last two decades he has concentrated on an extensive series of iconographical drawings depicting the major deities, lineage holders, and symbols that occur in the spectrum of Tibetan art. (Source: [https://www.shambhala.com/the-encyclopedia-of-tibetan-symbols-and-motifs.html Shanbhala Publications]) | |||
|images=File:Beer Robert Shambhala.jpg | |||
|classification=People | |||
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== Full Name == | == Full Name == | ||
Robert Beer | Robert Beer | ||
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== Publications == | == Publications == | ||
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Revision as of 03:42, 24 February 2023
| FirstName / namefirst | Robert |
|---|---|
| LastName / namelast | Beer |
| MainNamePhon | Robert Beer |
| SortName | Beer, Robert |
| bio | Robert Beer has studied and practiced Tibetan thangka painting for thirty years, including five years of study with master artists Jampa of Dharamsala and Khamtrül Rinpoche of Tashijong. Beer is one of the first Westerners to become actively involved in this art form. Over the last two decades he has concentrated on an extensive series of iconographical drawings depicting the major deities, lineage holders, and symbols that occur in the spectrum of Tibetan art. (Source: Shanbhala Publications) |
| Other wikis |
Full Name
Robert Beer
Affiliation
Other Information
Robert Beer, a British artist, has studied and practised Tibetan thangka painting for the last thirty years. One of the first westerners to become actively involved in this art form, he initially studied for a period of five years in India and Nepal with several of the finest Tibetan artists living at the time. Since 1975 he has lived in England working consistently on developing the artistic skills, vision, patience and understanding of this highly complex subject, as well as the historical and cultural contexts within which it arises. Over the last eighteen years he has concentrated on producing an extensive series of iconographical brush drawings depicting the symbols, lineage holders and major deities which occur in the vast spectrum of Tibetan art. This book on symbols and motifs is the first part of this series to be published.